The 63 skies project is going well! I’m still not sure what to name it, but I’ve landed on how the paintings will look and feel. Here’s how it’s going:
This morning I repainted 3 of the first 4 paintings I’d made because they didn’t feel right. The last one to re-paint is on the lower right. You can see the initial stages of the work in this piece.
For those of you who are curious, here’s what the group of paintings looked like before I re-worked the first four:
I ended up painting them again because I found them over-worked and heavy feeling. Because there will be so many of these extending 19 feet up and 17 feet out, I think they’d feel oppressive on that scale, so instead I opted for a more loose and airy approach.
Happily I’ve already raised almost 50% of the cost of these materials so far! You can contribute to this project on my project page at Buy Me a Coffee. Thank you to all those who’ve already contributed! It means a lot that you believe in my work.
Sixty-three paintings of skies that cover a 19′ x 17′ gallery wall – This is the latest project I’m working on. The project took different forms as I worked through my ideas over the course of the last year, but now it’s finally happening: actual paintings to install on an actual wall. I’ll share the story behind the project as it develops, but first I wanted to ask you:
We’ve gotten used to the concept of sponsored athletes, but what about sponsored artists?
I’m not talking about huge corporate sponsors (although I wouldn’t turn that down). What I’m talking about is micro donations so that anyone who wants to support my work can chip in to help make this new project happen.
So what I’m asking is “Would you sponsor this project?”
I’ve teamed up with Buy me a coffee, a platform for crowdfunding through micro donations, and I’ve set up my page with different ways to support my work. You can support the project with $5 or more or you can become a member and support my work with a monthly or even yearly sponsorship.
In this project I am making many smaller parts that as a whole, will create a very large artwork. Your support is also one part out of many parts that will make this project possible.
Everyone who contributes will be credited in the exhibit and on the project page of my website.
Take a look at my page to see the ways you can support my work, and I’d be super grateful if you could share on your social channels and email. Thank you!
The cost of materials (polypropylene paper and acrylic paint) to complete this project is $500. I install the exhibit (this project along with Paper Mountain, Sky Project and other paintings) at Sechrest Gallery at High Point University on October 16-22, so I’m setting a deadline to finish these particular paintings by October 8th. I always plan to finish the actual making of work at least 1 week before installation because this leaves me time to do the myriad things that need to be done before a show goes up.
Big skies… this is the working title for a new project I’m working on. I announced last week that Sechrest Gallery at High Point University invited me to show Paper Mountain, Sky Project and a group of paintings for a solo exhibit in the fall, and installation for the show starts exactly 90 days from today. Because I want to make a lot A LOT of paintings between now and then, I decided what this exhibit needs is a wall-full of paintings – sky paintings to be specific.
So I am making 50 sky paintings that will literally cover one of the gallery walls.
The paintings will be hung in a grid 19ft tall and 17ft wide.
I’ve decided to use acrylic on Yupo, a polypropylene paper. The acrylic dries relatively fast compared to oil paint, so I can easily stack finished paintings as I work. As for the Yupo paper, I like how slick it is to paint on, and I know that it will sit against the wall rather than buckle.
Why am I using paper rather than wood or canvas to make these paintings? I want the images to sit flat on the wall rather than jut out into space like a panel does. I don’t want the objectness of a panel.
I’ll share with you progress on this project as I go, so stay tuned for images as I figure things out.
In the meantime, I’ll leave you with an image of a sky I particularly like. This is Field and forest with red, one of the paintings from my Tiny Landscapes collection. I enjoy being able to see some of the underpainting of the sky… bits of pink and gold glimpsing through layers of sky and cloud. This little painting is acrylic on wood panel and measures 6×6 inches.
Like a lot of artists, I use photography to document my work and to share my process with the world. I sometimes take photos as reference material for my work. And sometimes the photos make the work. In one of my newest works, Sky Project, I crowdsourced photos of the sky via Instagram to make a video projection. People from all over the world shared photos.
The project is a reaction to the outdoor experience as filtered through our phones. We take photos of everywhere we go and everything we do and share them on social platforms such as Instagram. Many people’s experience of the outdoors is entirely based on what is Instagrammable. So how do we continue to have unmediated experiences in nature with the constant distraction of telephones in our lives? Can we still do that?
While technology like our phones and social media connect us, they also sometimes broaden the divisions between us. When we go outside with friends and family, we can feel genuinely deep connections both with each other and the outdoors. Through Sky Project, I encouraged people to look up from their phones, toward the sky that we share with everyone else – to get outside and to look around. Ultimately, I want my work to spur viewers to get outside and experience nature for themselves. I hope that by doing this, we can forge more profound connections with each other and develop a deep appreciation of nature together.
From now until March 2019, I am working on a project for Elder Gallery of Contemporary Art in Charlotte, NC.
This project has two parts, a very large paper mountain and a video projection of skies.
The idea behind this is to create an experience that evokes the outdoor environment. As a painter, my work is about the intersection of the outdoor experience and art. Because painting is inherently a two dimensional experience, this installation is a way to create a more immersive experience for viewers.
I’m looking for partners to help cover the costs of the project. There are the material and equipment costs to build the mountain and to create the sky project, staff to assist with the building of the mountain, and all the time and work I am doing between now and March to make the project successfully come to life.