40 hours installing an art exhibit

Last week, with the help of a whole team, I installed my latest exhibition at the Sechrest Gallery of Art at High Point University. The show includes a 19-foot tall painting installation as well as a 19-foot tall mountain of paper cranes with an approximately 12-foot square foot print. There is also a monumental video projection and a collection of paintings. Below is the video showing all 40 hours of the installation process. Read on for a breakdown of what happened during that time.

 

Day 1:

Measure/Cut/Attach the wire mesh to steel beams about 25-feet up

Tie fishing line to the mesh

Prep wall with masking tape to install 63 sky paintings in a grid

Day 2:

Tie fishing line to mesh

Prep wall with masking tape for 63 paintings grid

Lay out all sky paintings on the ground to arrange them for installation

Rebox paintings in order they’ll be installed

Start installing sky painting grid

Start attaching paper cranes to fishing line

Day 3:

Finish tying last remaining fishing line

Attach paper cranes

Interns start on this day: explain the work and each person’s job

Finish installing sky painting grid

Day 4:

Attach paper cranes

Hang all other paintings in the exhibit

Begin lighting mountain

Day 5:

Attach paper cranes and refine shape of mountain

Finish lighting mountain

Install largest painting in exhibit

Trim fishing line

Light all other paintings

I shot 1 photo per minute over the course of about 40 hours over 5 days, using a GoPro Hero 3+.

This exhibition is at the Sechrest Gallery of Art at High Point University, NC
October 25, 2021 – December 17, 2021
Opening Reception: October 28, 5:00-7:00 PM
Gallery Hours: Monday through Friday, 10am – 5pm

To see more details about each artwork or for purchasing, visit the gallery shop page.

THANK YOU to my partner Tim Bowman, the team of interns, Emily Gerhold and High Point University for supporting this exhibition.

Creative Detours

Creative Detours: an exhibition of paintings by Jessica Singerman at the Forsyth County Public Library
January 1 – March 31, 2021

(January 11, 2021, Winston-Salem, NC) Award-winning painter Jessica Singerman announces her exhibit of paintings entitled CREATIVE DETOURS, opening at the Forsyth County Public Library on January 1 and continuing through March 31, 2021.

In this collection of paintings, viewers will notice that some are more impressionistic and some have more recognizable elements – the work hovers between abstraction and representation. In this way, Singerman explores the way things look (shapes, colors, line, edges, etc…) and the way things feel (hot sunlight, cold wind, the smell of leaves, birdsong, etc…).

Singerman’s work is inspired by the poetry of nature, color and light in the landscape, seasons, and the passing of time. Says Singerman, “All of our senses are awakened when we spend time outside. The rhythm of steps while hiking, the whir and clicks on a bike ride, the changing shapes of light and shadow between trees, the sound of birdsong—the memory of all these impacts on my senses feeds into my process of abstraction. I love to explore my experiences in nature through the elements of color, shape, line and composition.”

Viewers may recognize Singerman’s paintings from the billboard featuring her work on Route 52. She was one of the 2020/2021 Triad region ArtPop Street Gallery winners.

The artwork in the exhibition can be purchased at www.jessicasingerman.com.

About the artist: Jessica Singerman lived alternatively in France and the United States during her early life. Singerman earned her BA with Highest Honors in 2002 from the College of William & Mary, Virginia, and her Masters of Fine Arts in 2004 from the University of Delaware while on a fellowship. Her award-winning paintings and drawings are exhibited and collected internationally. Singerman lives and works in Winston-Salem, North Carolina.

FORSYTH COUNTY PUBLIC LIBRARY, including CREATIVE DETOURS, by Jessica Singerman, January 1 – March 31. 660 W 5th St, Winston-Salem, NC 27101, www.forsyth.cc/library/, 336.703.2665

Find this article on YES! Weekly. Thank you to publisher Charles Womack and to YES! Weekly for the write up!

High up in its windy nest, oil and acrylic on canvas, 40 x 40 inches

Solo exhibit at Elder Gallery of Contemporary Art

Jessica Singerman - hold us in the light

On November 6th 2020, my newest solo show “Hold us in the light” opens at Elder Gallery of Contemporary Art in Charlotte, NC. Read on to find out about the work in this exhibition.

There will be free timed entry for this opening. Reserve your time slot here.
Note, my exhibit coincides with the “Home” exhibit, so the reservation link will take you to that show’s reservation page.  

From Elder Gallery of Contemporary Art:

Join us for an exhibition of intimate, responsive work by Jessica Singerman. In a significant departure from her work that celebrates nature, color and light in the landscape and the passing of time, Singerman embraces personal questions around her work and how it relates to the pressing societal issues of today.

Artist Statement:

At the end of spring 2020 when there was a swelling of anger and sadness amidst protests in the US, I wondered what – as an artist – I should be doing in response to what was happening around me. In times of turmoil, I have often questioned the validity of my work, and with practice I’ve learned that it is in those challenging times that the work of an artist becomes especially important, both for the artist and for the audience. However as a white artist, I was unsure of what was appropriate for the direction of my work. It seemed disingenuous to make politically charged paintings when my current body of work dealt with an entirely different subject matter. How could I make work that was culturally relevant yet stayed true to the artistic concerns I’ve pursued for years?

The morning of June 1st I made drawings of a table and chairs in our screened-in porch, a nod to some Richard Diebenkorn paintings of a single chair in an interior. Later that day in the studio, I decided to make a painting using one of those drawings as a reference. This painting was quiet and contemplative. I made another painting and another, all evocative of human presence, and each one a play of color and geometry and composition. In these paintings, through the careful arrangement of shapes and color, I envision creating space for conversations – hopefully the kind of exchanges that bring real profound understanding. Is this too much to want for my work? Maybe, but making art is in itself a hopeful act, and so it helps me feel optimistic.

Get a preview of the work in this studio visit.

Paintings at Piedmont Triad International Airport

I installed some paintings at Piedmont Triad International, my local airport last week. Here are some photos from the installation. Thanks to the team at the airport, it turned out great!

The large paintings are inspired by my time on Pilot Mountain and were featured in my exhibit at SECCA in 2019. The two smaller ones are from my Forces of Nature series. While they are up at the airport, they are still available for purchase from the Outside Collection in my web shop.

 

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