One of my favorite artists, Richard Diebenkorn, used to talk about purposefully making “mistakes” in the early stages of a painting. This would give him something to change as he worked. I often think of this as I make paintings. In the early stages of a painting, I’ll purposefully use colors that don’t feel like they go together – or make shapes that aren’t right, so I can make changes as I build up the paintings. This process of searching for an image is something that I enjoy. By working in this way, there is no pressure to get it “right” in one go, and the finished painting is a result of this process of making changes.
Maybe it’s tied to my ego – that I feel I need a certain amount of layers of paint to make it worthy of putting into the world. Maybe when I’m making paintings at 90, they’ll be very minimal Motherwell-like pieces because I’ll have no need to prove anything anymore.
In the meantime, if you want to see some monumental paintings layered with shapes and color and muscular paint handling like my painting above, Try Again, Grow Calmer, you’ll like what I made for you. I designed a brand spankin’ new catalog featuring a collection of paintings that will knock your socks off.
If you’ve ever felt an emotional reaction from looking at abstract shapes and color and wanted to know more, this is for you. Want to get the goods? Sign up for my newsletter and you’ll receive your copy of this catalog. You’ll find some of my largest, most gut-grabbing paintings set in beautiful spaces with the stories behind them.
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