In this series of landscapes the feel of wide open spaces meets a soft geometry – a meditative play of shapes and colors.
What started this body of work was a question I asked on Facebook: What outdoor spaces bring you peace and happiness? Friends sent me photos of their special landscapes, and I used those images as a jumping off point to create small paintings, my Tiny Landscapes.
Using those paintings, I then created the larger works in “Searching on the wind.” Some of them stayed true to the small paintings, and some veered in other directions. After working on a painting for a while, it starts to take on a life of its own, and if you know how to listen, paintings will “ask” for one thing or another. Finished paintings are a conversation between the artist and the painting – or maybe with the muse or the universe…
I hope these paintings will evoke the poetry of nature and bring a sense of wonder and a breath of fresh air into your life.
Hi everyone! Here’s your little meditative break – with Mountain Pose! This is an easy yoga pose that is grounding and helps with breath awareness. You can practice yoga and mindfulness anywhere.
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I’ve been folding paper since I was a child. It has always been a mindful activity that brings me peace. Today is world kindness day, so I want to share peace and kindness with you as I fold this crane.
My heart breaks each time I hear the news these days, and as an artist, we sometimes question the validity of what we do in times of crisis. But after years of thinking about this, I know that what artists do is essential to humankind. We open up conversations and connections between people who may never meet. And today in a small quiet way, I am sending peace, love, and kindness to the world. Paper folding is a prayer for peace.
Last night we shot the process of painting a series of small works on paper. Working on this particular set of paintings is a meditative process. While I work on pieces like these, I focus and get into a “zone” if you will. For these paintings I used a very limited palette and improvised. During this process I am looking at composition – the way the marks of paint, ink, and graphite interact with each other and the space around them. Elements such as how light or dark a mark is against another mark, the speed of brush marks, the direction in which I pull the brush, all these aspects come into play in the finished piece. I enjoy how paired down this process is – I’m not working with an image or a plan in mind. This is a truly meditative process during which I am 100% focused – all superfluous thoughts fall away. For me, this is the essence of painting and it ties into being in tune with nature. This sense of being in the “zone” or at one with a process is similar to the feeling I get when I am riding my bike or running hard – when all the extraneous noise falls away, and the experience of moving through space becomes the only thing that matters at that very moment.