This month Forsyth Woman is featuring my work in their magazine! Writer Taryn Jerez and I discuss many aspects of being an artist including influences, my evolution as an artist and how I carve out studio time. You can read the piece here.
Thank you Taryn and Forsyth Woman for the feature in the February issue!
Last week artist CJ Howard and I had a great conversation about running a business as an artist during these crazy times. Listen or watch for insights on what it’s like to make a living as an artist and for plenty of tips for up and coming artists.
Watch the video below.
Listen to the podcast on any platform. Find all the links here.
Looking for art & creativity coaching? Learn about what we can do together here.
A couple weeks ago I chatted with Carol Andrews, station host at WXLV abc45, about my mural project along the Longbranch trail in Winston-Salem, NC. We talked about how the project came about with Innovation Quarter and what it was like painting outdoors along the trail. The interview just went live, and you can watch it HERE on the station site.
Thank you to Carol Andrews and Lori Bates for the opportunity and for their excellent work on this story!
A couple of weeks ago, 88.5 WFDD Public Radio ran their Radio Camp at Wake Forest University, and invited me to participate in their interviews.
Radio Camp invited me to talk about what it is I do as an artist, and my interviewer Aida did a great job researching me and my work in preparation for our discussion. Aida and I spoke about my background, my practice as an artist, artist stereotypes, and the relationship between my artwork and my experience outdoors. We also talk specifically about my Paper Mountain project, the monumental installation of 1200 cranes I folded and suspended from the ceiling last spring at Elder Gallery of Contemporary Art. She edited our conversation into a 4 minute piece you can listen to HERE. I’m really happy with how the interview turned out. Thank you Aida and thank you 88.5 WFDD!
“Radio Camp is a week-long, summer enrichment day camp for middle school students interested in technology, journalism, and the exciting world of radio! Over the week, students learn the basics of audio recording in the studio and in the field; how to conduct an interview; how to edit sound on computers into a news story; and the other skills needed to write, record, edit, and create stories for radio broadcast.”
Something neat I found on the internet this week:
Photographs taken behind the scenes by Sylvain Sorgato, an artist/curator for the French paper Libération. These photos document the unseen side of exhibiting… the work that goes into installing and de-installing art exhibits. See them HERE.
Found this interesting? Then please share! Thanks!
I’m excited to share with you that Happenings CLT featured me as their Carolina Art Crush today. Thank you to Grace Cote and the Happenings CLT team for the write-up! Read the interview below:
HappeningsCLT: Describe yourself in three words.
Jessica Singerman: empathetic, obsessive, driven
HCLT: When did you realize you were an artist?
JS: While I’ve always made things, it wasn’t until the birth of my son five years ago that I understood the importance of making work consistently. In that time I basically went from being a highly trained hobbyist to being a professional artist.
In college and graduate school, I painted and drew all the time, but after grad school I had a hard time figuring out what to do and I painted sporadically. Two months into motherhood, I realized I was losing my sense of self, and the most obvious way for me to regain it was to make work every single day. I started making little drawings and paintings, small projects that I could finish in one sitting. We lived in Australia at the time, and I had very few materials with me. I kept a small box of watercolors and drawing materials on the dining room table, and would pull them out to work as soon as my son would go down for a nap.
When we moved back Stateside, I was eventually able to get sizeable studio space and my work subsequently grew in scale. I now understand that art comes from working regularly rather than waiting for inspiration to strike. I learned that I’m a better version of myself when I am sustaining a creative practice.
HCLT: Who or what inspires you artistically?
JS: There are so many things that motivate me to work and artists whose work inspires me. Richard Diebenkorn and the Bay Area Figurative Artists of the 1950’s and 60’s, Amy Sillman and Cy Twombly are my art heroes. Mary Oliver’s poetry, the way she writes about nature and about the human experience resonates with me. As far as the what, the outdoors, specifically riding bikes, hiking, and running are what fuel my work most directly. My experience outside – the light, colors, weather, seasons, the feel of the air – all of these sensations play into my work.
HCLT: Tell us about your current body of work.
JS: My paintings are abstract with references to nature: mountains, forests, fields, and big skies are conjured through layers of shape and line in vivid color. For my large pieces on canvas and panel, I use oil and acrylic paint. With smaller works on paper, I use a variety of media: watercolor, graphite, ink, and collage for example. My work is inspired by the poetry of nature: color and light in the landscape, seasons, and the passing of time.
HCLT: What do you think is the most valuable art experience in the Carolinas right now?
JS: The community of artists in the Carolinas is fantastic. It’s a hard-working, supportive bunch, and I’m fortunate to be part of such a vibrant community of people.
Since I now live in Winston-Salem, I particularly enjoy visiting the Southeastern Center for Contemporary Art, an incredible resource. They curate inspiring and thought-provoking exhibits, and admission is free. The grounds and trails around the museum are open to the public. The center also generously allows the local cycling community to run a series of races each fall. This is pretty amazing considering that we mark trails and put up course tape all over the grounds once a week for an entire month.
HCLT: What is your number one art piece/place/event in this area?
JS: Reynolda House and Gardens, also in Winston-Salem: Not only do they bring in fabulous exhibits, but the gardens and walking trails are always open and feel like a respite from the city. Full of orchids, succulents, herbs, and all sorts of other colorful plants, the greenhouse there is dare I say it, magical.
HCLT: What book is on your nightstand right now?
JS: I always have a big stack of books on the nightstand and on the floor by the bed. Currently I’m working my way through Roar, a sports physiology book for female athletes by Dr. Stacy Sims, Mary Oliver’s Upstream, The Secret Lives of Color by Kassia St. Clair, and Ann Powers’ Good Booty, on sex, race, and music in America. There’s also another stack of books I’m rereading to write a blog post.
HCLT: Best meal in the Charlotte area?
JS: I grew up in Davidson, and the Soda Shop holds a special place in my heart because I got some of my first taste of freedom there. I was allowed to walk there with friends sometimes after elementary school, and it made me feel like a “big kid.” Also, their “Big O” drink is delicious.
In Charlotte, my paintings will be exhibited at Elder Gallery of Contemporary Art’s March Invitational, opening on March 2nd. You can find out more at www.eldergalleryclt.com, Instagram @elder_gallery_clt, and Facebook @eldergalleryclt