I dropped a wet painting on my face this week.
I’m working on a group of paintings to cover an entire 19-foot tall gallery wall, and I work on them each week in groups of nine. (I’ve completed 45/63 as of today.) At the beginning of each week I start with six paintings on the middle and bottom rows (see below), and when I finish a row, I move it to the top to make room for three more pieces of paper.
On Tuesday while I moved one to the top row, I lost hold of it and it fell on me. Luckily the works are on paper so I didn’t hurt myself, and I managed to wash out the paint from my shirt. I should know better than to wear a good shirt in the studio – even with an apron.
Yesterday I had a meeting at the Sechrest Gallery of Art at High Point University, where I’m exhibiting this project, Paper Mountain and Sky Project and other works starting in October. During the meeting we dialed in the logistics for this exhibit and discussed some other peripheral projects to accompany the show. I’m so excited to share my work in this big beautiful space, to reinstall Paper Mountain and Sky Project and to finally see how my sky paintings will look on a massive scale.
This show will open on Thursday October 28th. Stay tuned for all the details.
On the top right is the culprit – the painting that fell on me!
I am at 79% of reaching my $500 fundraising goal for this project! Can you help me reach the goal?
The 63 skies project is going well! I’m still not sure what to name it, but I’ve landed on how the paintings will look and feel. Here’s how it’s going:
This morning I repainted 3 of the first 4 paintings I’d made because they didn’t feel right. The last one to re-paint is on the lower right. You can see the initial stages of the work in this piece.
For those of you who are curious, here’s what the group of paintings looked like before I re-worked the first four:
I ended up painting them again because I found them over-worked and heavy feeling. Because there will be so many of these extending 19 feet up and 17 feet out, I think they’d feel oppressive on that scale, so instead I opted for a more loose and airy approach.
Happily I’ve already raised almost 50% of the cost of these materials so far! You can contribute to this project on my project page at Buy Me a Coffee. Thank you to all those who’ve already contributed! It means a lot that you believe in my work.
Thanks and have a good week!
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Sonya Pfeiffer is owner and director of Elder Gallery of Contemporary Art in Charlotte, NC.
From the gallery:
Jessica Singerman Artist Talk
Join us in the studio with Jessica Singerman as she takes viewers behind the thought process and intention in her new series, Hold Us in the Light.
View the works we’re talking about and shop the exhibition here.
Here I am in the studio working on one of the paintings that will be shown with Paper Mountain and Sky Project starting next week.
I began the painting in acrylic. The paint’s rapid drying time allows me to work quickly, putting down layers of paint as I figure out the direction of the painting. You’ll notice when I swap carts that I am switching to oil paint. These dry more slowly and have a texture I really enjoy. They are very creamy and allow me to work wet into wet for relatively long periods of time.
Catch these paintings with my Paper Mountain installation and Sky Project in the exhibit Beyond the Mountain at Elder Gallery of Contemporary Art opening March 15th.