This Sunday at the Millennium Center in Winston-Salem, come see some artwork and listen to live jazz. I’ll be there along with a group of Artfolios artists, and all artwork there will be available for purchase. The center is at 101 W 5th St, Winston-Salem, NC 27101, and the event is from 2:00 – 5:00 PM. You can find all the details here.
The Spring Studio Refresh is still open if you haven’t had a chance to check out some of these artworks. These are pieces I’ve made to try out ideas, to hone my craft, to demonstrate technique to students and for fun. You’ll find that work here.
And lastly, I’m headed to France soon to visit family and friends and for some hiking in the Alps. I’m closing my shop while I’m away, so if you have your eye on something you’d like to get your hands on soon, now’s the time!
Last day to order a painting for delivery or pick up this month is Monday June 6th.
It’s been a strange couple of weeks. We got a bunch of snow a few days ago – AND IT’S STILL HERE. If you’ve spent any time in the South, you might know how weird it is to get snow and for it to actually stick for a while rather than turn into a grey mess. While my classes at UNCSA started last week, I still haven’t had a chance to see my students in person because all our classes have been online. My son has been off school all week due to the winter weather. And I ran 23 miles last Friday – on a mountain. Yeah, you heard that right. I ran 23 miles and I’m still kicking.
If you’ve been following along on my journey, you might remember that I’ve been training for a trail marathon in my favorite place, Pilot Mountain. It’s been almost half a year of training so far and I have one more long run to go before the big day. But back to last Friday.
It was a pretty terrible run. Nothing felt right for most of the 5.5 hours I spent up on the mountain. But worse than the physical discomfort was the mental anguish (not exaggerating). I just couldn’t get it together and dealt with self doubt/pity for most of the run. It’s normal to have a particularly bad training session at some point, so it wasn’t totally unexpected. There were some bright spots during the run though: I got to use my first aid kit and save my foot from an impending giant blister for example.
After this experience, I have a good idea of what to improve on for my next long run. And as my husband Tim said, “Look at it this way: on a bad day, you still ran 23 miles.” ‘Nuff said.
In the studio, I’m in my usual winter routine of digging into fundamentals and studying color. I’ve been working on color studies and playing with ideas for a new project involving Legos. I’m not sure this project will amount to anything big, but it’s keeping my momentum going and may lead to other ideas.
My show at Charlotte Russell Contemporary is up until February 16th and we’ve scheduled a closing reception on Friday February 11th 5:30-7:30pm. Find more details on the gallery website here.
It feels good to embark on new beginnings… I’m prepping for a semester of teaching at UNCSA – which starts next week – and am kicking things off with an exhibit opening in Raleigh, NC.
I’m pleased to share with you that Charlotte Russell Contemporary invited me to show a group of paintings in a two-person show called Fresh Air with textile artist Sydney Zester. It’s interesting to see the interplay of colors and shapes between my work and Sydney’s, and I’ll be curious to hear what you think when you see the work together.
The exhibit Fresh Air will be at Charlotte Russell Contemporary Jan. 14th – Feb. 16, 2022.
Last week, with the help of a whole team, I installed my latest exhibition at the Sechrest Gallery of Art at High Point University. The show includes a 19-foot tall painting installation as well as a 19-foot tall mountain of paper cranes with an approximately 12-foot square foot print. There is also a monumental video projection and a collection of paintings. Below is the video showing all 40 hours of the installation process. Read on for a breakdown of what happened during that time.
Measure/Cut/Attach the wire mesh to steel beams about 25-feet up
Tie fishing line to the mesh
Prep wall with masking tape to install 63 sky paintings in a grid
Tie fishing line to mesh
Prep wall with masking tape for 63 paintings grid
Lay out all sky paintings on the ground to arrange them for installation
Rebox paintings in order they’ll be installed
Start installing sky painting grid
Start attaching paper cranes to fishing line
Finish tying last remaining fishing line
Attach paper cranes
Interns start on this day: explain the work and each person’s job
Finish installing sky painting grid
Attach paper cranes
Hang all other paintings in the exhibit
Begin lighting mountain
Attach paper cranes and refine shape of mountain
Finish lighting mountain
Install largest painting in exhibit
Trim fishing line
Light all other paintings
I shot 1 photo per minute over the course of about 40 hours over 5 days, using a GoPro Hero 3+.
This exhibition is at the Sechrest Gallery of Art at High Point University, NC October 25, 2021 – December 17, 2021 Opening Reception: October 28, 5:00-7:00 PM Gallery Hours: Monday through Friday, 10am – 5pm
To see more details about each artwork or for purchasing, visit the gallery shop page.
THANK YOU to my partner Tim Bowman, the team of interns, Emily Gerhold and High Point University for supporting this exhibition.
Thank you Yes! Weekly for covering my upcoming exhibit at the Sechrest Gallery of Art at High Point University. Read it on Yes! Weekly (and see all the images) or read on for the text.
(September 22, 2021, Winston-Salem, NC) Award-winning artist Jessica Singerman announces her exhibition of works entitled OF STONES AND EARTH AND AIR opening at the Sechrest Gallery of Art at High Point University on October 25 and continuing through December 17, 2021. The opening reception is free and open to the public on Thursday October 28, 5:00 – 7:00 PM.
The exhibit explores the intersection of the outdoor experience and art through paintings, video projection, a mountain of paper cranes and an installation of skies. Singerman’s work aims to create an immersive experience by evoking the energy of the outdoor spaces that inspire us, from mountains and valleys to skies and fields.
Says Singerman, “Spending time in nature – specifically riding bikes, running and hiking – is a mindful practice and brings me real joy. With these projects I hope to conjure up feelings of being in vast outdoor spaces that create a sense of wonder. I made Paper Mountain by folding over 1,000 paper cranes. The flock of paper birds is suspended from the ceiling, forming a floating mountain. The painting installation The space between the clouds is comprised of over 60 paintings of skies covering an entire gallery wall from the floor to ceiling. The work in this exhibit is a sort of experiment to see if it can evoke the spirit of the outdoors.
Emily Gerhold, Director of the Sechrest Gallery of Art and Assistant Professor of Art History at High Point University, writes “Singerman’s work first engages they eye with its color and vibrancy, and one cannot help but feel excited as they are welcomed into the space suggested by her gestural, energetic brushwork. But, balanced with the dynamic elements of her work are passages that inspire deep feelings of tranquility. True to its title’s evocation of the elements of nature – Of Stones and Earth and Air – this show will invite audiences to meditate on the myriad embodied responses, from the ecstatic to the profound, provoked by encounters with the beauty and power of the natural world.”
About the artist: Jessica Singerman earned her BA with Highest Honors in 2002 from the College of William & Mary, Virginia, and her Masters of Fine Arts in 2004 from the University of Delaware while on a fellowship. Her award-winning paintings and drawings are exhibited and collected internationally. Singerman lives and works in Winston-Salem, North Carolina.
SECHREST ART GALLERY AT HIGH POINT UNIVERSITY, including OF STONES AND EARTH AND AIR, by Jessica Singerman, October 25 – December 17. One University Parkway High Point, NC 27268, www.highpoint.edu/arts-design/sechrest-art-gallery/ 336-841-4680.
If you’d like more information or to schedule an interview with the artist, please contact Jessica Singerman at 336-283-0185 or email@example.com.
A couple of years ago after heavy rains and flooding, I noticed a strange sight while driving over the Yadkin River: a forest under water. The river had overflowed and the trees were standing in a few feet of water. Downed trees and branches were violently shoved up against still-standing trees. I was struck by the sheer power of the water overflowing its river banks and the dissonance of seeing a flooded forest.
This image stayed with me for a while and I collected branches which I made into little piles and bundles in my studio. I imagined a huge pile of tree trunks pushed up against a gallery wall and spilling out onto the gallery floor, the pile’s size dwarfing viewers. On an adjacent wall I imagined a wall size video projection of water slowly filling the screen to the sound of water running continuously.
Over the course of the next two years I made drawings and prototypes and kept running into the same problem: no matter how elegantly executed, the log stack and running water video created a feeling of dread. I couldn’t reconcile the sense of anxiety the pieces would likely provoke in viewers with my desire to create an immersive and elemental kind of experience in a gallery. Climate change is very real and frightening, but I refuse to subject viewers of my work to feelings of anxiety. As artists we are responsible for how our work affects people, and ultimately I want my work to feel vital and uplifting – even when the work deals with environmental concerns.
I sidelined the log pile and running water video ideas and turned to my watercolors to play and think. Watercolor is my “go-to” for figuring things out and generating ideas. I made piles of small playful mixed media drawings and wondered how they would look in a large scale if I made hundreds of them to cover a gallery wall from floor to ceiling – transforming the logs and water ideas to something less heavy-handed.
To prototype this idea, I made a hundred and twenty eight tiny drawings with watercolor, ink and colored pencil, and I installed them on a piece of foam core as if it were a tiny gallery wall. I then photographed this maquette with Lego mini figures as viewers to picture how it might feel on a monumental scale. It worked.
In the spring of 2021, I was asked to exhibit my work at the Sechrest Gallery at High Point University, specifically my large-scale installation Paper Mountain and its companion piece Sky Project. The gallery is big. Even after installing the mountain of paper cranes and filling a wall with the Sky Project video, there was space for more work. I knew I wanted to include some of my paintings, but there are two twenty foot-tall walls on one side of the gallery. One of these was perfect for a painting installation like what I had prototyped, but it needed to be different. The work I had made for the tiny gallery was very active work, and this needed to be more quiet because it would be near Paper Mountain, a twenty foot tall floating mountain of paper cranes. The painting installation couldn’t detract from Paper Mountain and ideally should complement it.
I wanted to make something that would be monumental as I had imagined with my Legos, and it also needed to uplift and encourage minds to wander. I decided to try skies for their universal and poetic quality, and made some prototypes in different painting styles and with different papers. After settling on the type of paint and the application, I found the perfect paper – heavy enough to lay flat on the wall even when coated in paint, the right size and excellent quality. It’s called Yupo, a polypropylene paper that is unpleasant and difficult to use with some mediums, but perfect for this particular project.
The project in its current form uses loosely painted skies to create a sense of air and space. The paintings will be hung in a grid 19 feet tall by 17 feet wide, covering one of the gallery walls near Paper Mountain. I’ve named it The space between the clouds.
I’m curious and excited to see how The space between the clouds will look installed. I’ll have to arrange the paintings onsite because my studio isn’t big enough to lay them all out at once, and I look forward to that part too.
The High Point University exhibition opens Thursday October 28th and is up until December 18th. The space between the clouds, Paper Mountain, Sky Project and a collection of paintings will be on display at Sechrest Gallery of Art.
You can support this project and see images of the work in progress on Buy Me a Coffee where I’ve been fundraising to cover the cost of paper and paint for The space between the clouds.
I’m working on a group of paintings to cover an entire 19-foot tall gallery wall, and I work on them each week in groups of nine. (I’ve completed 45/63 as of today.) At the beginning of each week I start with six paintings on the middle and bottom rows (see below), and when I finish a row, I move it to the top to make room for three more pieces of paper.
On Tuesday while I moved one to the top row, I lost hold of it and it fell on me. Luckily the works are on paper so I didn’t hurt myself, and I managed to wash out the paint from my shirt. I should know better than to wear a good shirt in the studio – even with an apron.
Yesterday I had a meeting at the Sechrest Gallery of Art at High Point University, where I’m exhibiting this project, Paper Mountain and Sky Project and other works starting in October. During the meeting we dialed in the logistics for this exhibit and discussed some other peripheral projects to accompany the show. I’m so excited to share my work in this big beautiful space, to reinstall Paper Mountain and Sky Project and to finally see how my sky paintings will look on a massive scale.
This show will open on Thursday October 28th. Stay tuned for all the details.
On the top right is the culprit – the painting that fell on me!
I am at 79% of reaching my $500 fundraising goal for this project! Can you help me reach the goal?
I’m super excited to share with you that the Sechrest Gallery at High Point University has invited me to show Paper Mountain, Sky Project and a group of paintings in a solo show this fall. If you’ve been following my work for a few years, you might remember Paper Mountain as the 14-foot tall mountain of 1200 folded paper cranes I suspended at Elder Gallery of Contemporary Art in spring 2019. The project took a couple of years from start to finish, and seeing it installed was truly validating as an artist, so I’m happy to be able to exhibit it in another space and to share it with more people. Stay tuned for more about that as we get closer to installation week in October.
With its sheer size, Paper Mountain can be an immersive experience for viewers. While my newest paintings aren’t monumental in scale, the paintings in the Searching on the wind collection are immersive in their special own way.
These landscapes evoke wide open spaces: big skies, meadows, forests, mountains and rivers. Each painting is a meditative play of shapes and colors.
If you let them, these paintings may just transport you to your favorite mountain or river or forest…
Find them all HERE and please don’t hesitate to message me if you have questions about any of the work, payment or shipping.
PS: Recently a client asked me if it was safe to ship paintings these days. The answer is YES! I am shipping artwork wherever USPS, Fedex and UPS will travel.
In this series of landscapes the feel of wide open spaces meets a soft geometry – a meditative play of shapes and colors.
What started this body of work was a question I asked on Facebook: What outdoor spaces bring you peace and happiness? Friends sent me photos of their special landscapes, and I used those images as a jumping off point to create small paintings, my Tiny Landscapes.
Using those paintings, I then created the larger works in “Searching on the wind.” Some of them stayed true to the small paintings, and some veered in other directions. After working on a painting for a while, it starts to take on a life of its own, and if you know how to listen, paintings will “ask” for one thing or another. Finished paintings are a conversation between the artist and the painting – or maybe with the muse or the universe…
I hope these paintings will evoke the poetry of nature and bring a sense of wonder and a breath of fresh air into your life.