Adventures in Weaving and Saatchi Featured Artist

It’s official. I’m in love.
I’m in love with my new (to me) weaving loom. I put off buying a floor loom after starting to weave with a simpler kind of loom a few of years ago. Then after taking an experimental weaving and drawing workshop this summer at Penland School of Craft, I ended up going deep in the weaving rabbit hole, and took the plunge a couple weeks ago with this particular floor loom. This one is a four-shaft loom built like a tank because it’s made to be able to weave rugs on it.
I’m learning more complex weaving structures now, and while setup and troubleshooting patterns like this one are slow, in the process of fixing mistakes I’m learning a lot. Taking the time to do things right is worth it. The weaving is going smoothly and it is magical to see the pattern appear on fabric. As I do this, I’m getting ideas and I plan to use weaving techniques to make some large-scale installations combined with sound and video in some upcoming exhibits… Ultimately I hope to figure out a way to make work that pairs my paintings and textiles in a way that makes sense conceptually and visually.
This is A German Bird’s Eye I from Davison’s A Handweaver’s Pattern Book.
This is A German Bird’s Eye I from Davison’s A Handweaver’s Pattern Book.

I went all in with the weaving/fibers and took everything off one of my studio walls to build yarn storage. My father in law and partner built these shelves with me and I must say that seeing all these yarn colors neatly arranged brings me lots of satisfaction and gets my creative juices going!

 

 

And in other news, Saatchi Art is featuring my work in their New This Week selection of artists. You can see Of stones and earth and air with an interesting pairing of works here.

“Of Stones and Earth and Air,” 2019, oil on canvas, 60 x 72 inches
Scroll to top